Christel Lumabas asked:


The world of high technology and endless innovations made its way to music consumers from all over the world. This definitely opened new ways in enjoying music, whether it is through legal ways or the other way around. With the bad smell of piracy spreading the stink globally, its time for music companies to fight against it, in order to save the music business today.

Music giants are once again at odds with the consumer electronic manufacturers. This time, it is very much related to piracy—the controversy over specific information technology products that enables consumers to copy digital music and transfer them into different formats, or exchange them over the Internet. This has been going on ever since people knew about it, and this alone greatly affects the music business today.

Over the last few years, the music industry has fed the media statistics about piracy, or the act of copying digital music content to a blank CD, or uploading or downloading it from the Internet. According to articles, an estimated 3.6 billion songs are illegally downloaded each month in the US. In 1999, the music industry estimated that one in four CDs of new music was actually an unauthorized copy. By end of 2001, it was estimated that as many CDs were burned and copied as were bought. Since 1999, CD burner ownership has nearly tripled. This trend is attributable to the slow economy, among many other factors. However, the music business today seems to believe that the culprit in this trend is the rise of digital music—free online sharing, and the growing number of CD burners.

For self-defense, big music record companies are developing technology for anti-piracy, to protect their copyrighted music against the information technology’s movement towards user-friendly digital software and hardware. Few of the biggest music labels are experimenting on anti-piracy technologies designed to fight the online file sharing. Both Sony and BMG have already implemented copy-protection systems, which prevents their CDs from being played on any device that is not a simple CD player. Another music label is also licensing another anti-piracy technology, where it prevents consumers from reformatting songs into MP3 format files and burning copies, or making them available for file sharing systems. This anti-piracy technology called Cactus will prevent music from playing on the Playstation 2, a number of car stereos and DVD players, even on PCs, and also disables stand alone CD burners.

There will come a point where progress may feel more like loss than gain, especially when a technology that an industry has developed becomes outdated. While this may seem frustrating, the proper solution is not to hinder progress; instead, adapt accordingly. Both the congress and the music industry giants should make necessary changes in the legislation to make it more effective for the next generation.



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Veronica Lane asked:


 

Anyone involved in the  music business should seriously consider  researching the ins and out of music business contracts. In this kind of industry, it is extremely important that all the legalities are sorted out in a professional and very understandable way. There are many situations where commitments only require a gentleman’s handshake, but the music industry is not one of them. There are too many situations and details that need to be addressed. For this reason many online companies have designed music contracts. These can be purchased in packages to cover all the specific areas of the industries. These contracts apply to areas such as music producers, artists, agents and musicians just to name a few.

 

If you stop to think about it very seldom would there just be two individuals involved in a music business contract. This make occur if a person were a vocalist, composed their own music, and had no manager or agents. In addition they had no musicians. Basically the only two involved would be the vocalist and the recording studio. Its not to often that this the situation. Even then a contract would still have to be initialized. On occasion you will hear of court cases that involve a musician and an artist or a group of musicians and a recording company for example. In all probability they wasn’t any type of formal contract between the parties and a dispute arose. These types of unfortunate circumstances can and should be avoided. The following points will tell you about different features of Music Business Contracts.

 

The important thing about the Music Business Contracts is planning a budget. The Music business contract can give you profits; however, it as well needs some early investment. Note that you can also suffer loss. Thus, planning the budget needs to be done cautiously. Spending lots of money on contracts and with good artists, place for performance and marketing is extremely vital. If you don’t spend or else care much about them, you might suffer a loss. Also spending lots of money is also not wise. You need to make a decision how and much you have to use according to the given conditions.

 

Music Business Contracts include numerous contracts. Among them, artists are most important. At times popular artists demand too much than really what they deserve. Their reputation can bring you several businesses however don’t forget that viewers also loves good performance. Thus, in its place you can contract the cheaper but very good artists, rather than the popular ones.



201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

Artistopia Staff asked:


The Internet has proven to be where music can be discovered, reviewed, discussed, shared, and purchased. Musicians know this and get online to upload their music and become a part of the world wide music machine process. They come on the Web at every age, at every experience level – musically and computer savvy. From youngsters starting out to seasoned musicians just learning where the computer on switch is, the workings of being on a computer can be overwhelming with everything else they have going on in their lives.

The Web also allows musicians access to music knowledge. Artists will come across difficult terminology and phrases that they do not understand. Compiled in the following mini glossary are music business, digital, organizations, record biz lingo, computer terms and basic need-to-know info. Hopefully, something listed here will help you navigate music online a bit easier, and so you know, this glossary is an excerpt of an extensive list found on Artistopia.

A&R – Artist and Repertoire, aka talent scouts: a record company liaison whose duties may include to find, select and develop the music artist, band and/or songwriter.

Affiliate Program – a way to earn income by linking your Web site to another site, depending on the action taken by the visitor.

ASCAP – American Society of Composers, Authors and Publishers which licenses and distributes royalties to it’s members’ copyrighted works.

Bandwidth – has nothing to do with the size of a band but is a measure of the amount of information (data) that can be sent over a network connection in a given period of time. Bandwidth is usually measured in bits per second.

Bitrate – The number of kilobits per second of data in your audio file. The bitrate you choose when creating an MP3 file determines the size and quality of the resulting MP3. The highest commonly available bitrate is 320 kbps and the higher the bitrate, the closer the encoding is to the original source of music.

Blanket License – allows the user to perform any or all, in part or all, of the songs in the ASCAP repertory. What a warm and cozy license.

Business Manager – an artist or band manager that specializes in the financial matters, including planning, investing, income, taxes, decisions and contracts.

Buzz – to get people talking about a new artist, band, song or album, creating intense excitement and/or rumors.

Clause – a chubby fellow in a red suit is Claus: in a record contract, there might be certain limitations, specifications, or modifications that stipulate the final outcome of that contract.

Concert Promoter – with duties including ticketing, PR, marketing, and booking, this agency or agent responsibilities are for concert event promotion.

Content – to make the Search Engines happy and have pages rank well in a search result, a good quantity of well written text aligning with the site’s keywords and theme updated regularly is a Webmaster’s steak and potatoes.

Cookie – no, not chocolate chip, but a piece of software that records info about your visit to a Web site, then holds the info until the server requests it.

Copyright – a set of exclusive rights regulating the use of a particular expression of an idea or information, in our case artistic properties, the songs and sound recordings.

Derivative Work – a new work based on or resulting from one or more preceding works.

Digital Licensing – the use of copyrighted music compositions including downloads, on demand streaming, limited use downloads and CD burning.

Distributor – the agency or agent that handles the sales and shipment of the music (records, CDs) to the marketplace or basically, gets the product to the consumers.

Domain Name – a sign post on the Internet, it is a unique name that identifies an Internet site.

DRM – Digital Rights Management is a technology that protects a piece of intellectual digital property such as a music, video, or text file.

Encoding – the process of converting audio to or from a compressed format like MP3 or WMA.

Exclusive Rights – under copyright law, the privileges that only a copyright owner has with respect to the copyrighted work.

Free Lossless Audio Codec (FLAC) – a file format for audio data compression that does not remove information from the audio stream, as MP3, AAC, and Vorbis do.

Grammy Awards – an award ceremony for all genres presented by the Recording Academy for outstanding achievements in the recording industry: a gold megaphone for your mantel.

Groupie – what’s the point of being an act without groupies? Overly enthusiastic fans with much love to offer.

HTML – HyperText Markup Language, programming language for the world wide web. A web browser interprets the code written and displays it for a web page and web sites. Some very basic knowledge of HTML may help on some sites.

Hook – a pirate: a music phrase, a passage, an idea – something (catchy and/or repetitive) that makes the song stand out and be more appealing and remembered.

Hype – sensational and extreme promotion of a person, idea or product.

Indie – an independent artist or band that desires to do-it-all-themselves and/or not affiliated with a larger record label.

Intern – usually a college student job at a record label in a no or low paying position, more of an apprenticeship learning the ropes and gaining business experience.

Internet Service Provider (ISP) – how and who connects your computer or network to the Internet, whether dialup, DSL, Cable, T1 or T3.

Master Recording License – pertains to the recording of a performance itself, which are usually controlled by the record label.

Mastering – the final stage and preparation in a recording before weapons of mass duplication, includes the consistency of audio levels and quality perfecting.

Mechanical License – the use of copyrighted musical compositions for use on CDs, cassettes, record albums.

Music Contracts – all the various bits of paperwork used in the music business, always read the “fine print” to the many contracts – recording, management, finders fee, general release contracts. When the contracts come in – time to get an Entertainment Attorney.

Music Industry – all things pertaining and related to the business of music, dominated by the Big Four major labels: Sony BMG, Warner, Universal and EMI.

Music Publisher – provides services such as marketing, pitching and promoting works written by songwriters. Deals with the commercial exploitation of music catalogs and songs.

Press Kit – aka media kit, a prepackaged set of promotional materials for a music artist or band for distribution including song samples, bio, historical info, photos and contact information.

Producer – duties include: controlling the recording session, guidance of the artist(s), coaching, organizing, scheduling of production resources and budgets, as well as supervising the process of recording, mixing and mastering.

Publishing Royalties – income paid to the writer of a song.

RIAA – Recording Industry Association of America, the organization that represents the interests of record labels and producers in the USA.

Ripping – means to take an audio CD and record it to a computer in an uncompressed file format (wav). Digital audio extraction from one media form to a hard disk.

Roadie – the road crew that travels with a band on tour. These hard working individuals do everything but the performance, are technicians, do the set up and take down, security, bodyguards, pyrotechnics, and lighting.

Sampling Rate – the number of samples taken per second when digitizing sound. The higher the number, the better the quality of the digital reproduction.

SoundExchange – an independent, nonprofit performance rights organization that collects and distributes digital performance royalties for recording artists and record labels when their sound recordings are performed on digital cable, satellite TV music, internet and satellite radio.

Sound Recording – the copyright of the recording itself (what you hear, the entire production) as distinguished from the copyright of the song (words and music owned by the songwriter or publisher).

Synchronization License – aka “synch” license, allows the user to reproduce a musical composition “in connection with” or “in timed relation with” a visual image, motion picture, video, advertising commercial – from the copyright owner of the music.

Talent Agent – or booking agent, the representative of the music artist(s) that sets up the live performances.

Vanity Label – a celebrity recording artist is given a label within a label and runs under the umbrella of the parent label.



marketing your music with step-by-step guidance…

catwalker09 asked:

Dit zijn twee segmenten van een documentaire over muziekzaken die op Duitse n-TV van het TVkanaal worden gelucht. Geregistreerde 2008

201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

expertvillage asked:

lessons is an important organizational aspect when creating your own music business. Learn some tips for scheduling music lessons from aprofessional music teacher in this free music business video. Expert: Athena Reich Contact: www.athenareich.com Bio: Athena Reich is a professional musician, actress, artist, singer, songwriter and coach for all of the above. Filmmaker: Paul Muller … music business teaching lessons tips instruction instructing prices scheduling times rules policy free how …

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