ImprovementAudio asked:

Dit is een uittreksel uit "CD Release Party strategieën" die beschikbaar is om te downloaden uit www.ImprovementAudio.net (samen met 14 Kwaliteiten van succesvolle muzikanten, songwriters en Music Business Professionals) voor slechts € 19,95 . Samen vormen deze twee boeken muziekwereld meer dan drie uur insider geheimen en advies voor Onafhankelijke Bands, muzikanten en songwriters. Specifieke instrumenten en strategieën die u zullen helpen om de grond raken weer aan de slag met uw nieuwe muziek release bereiken nieuwe …

Make Money Online On Autopilot

Samuel Gilleylen asked:


Memphis, TN (Articlesbase) April 04, 2008 — IN THE RIGHT DIRECTION – A Beginner’s Guide To Starting A Record Label (3rd Edition) by Samuel D. Gilleylen ; ISBN #0972304207; Future Mix Publications.

The days of the major label record deals are just about done. More and more undiscovered talent are making a living by selling their own “Contract Free” CDs, music downloads, merchandise and etc. The aspiring recording artists of today are not only using the traditional methods for being independently successful, but also using the internet for promoting and distributing their own product. It is however still important for one to understand the traditional way in which the music business operates, because the internet will open up still other legal issues between a prospective aspiring artist and other entities. This book will help one to understand the traditional way of how the independent music business operates. Along with other important information this book contains basic information such as: how to copyright songs, music publishing and mechanical royalties, setting up radio promotion, setting up independent music store distribution, also a list of music business contacts and legal agencies who can help new recording artists. There is even a checklist at the back of the book to help guide the reader along the way!

If you are trying to break into the independent recording business you will need this book. Here’s a wealth of information for those who know little or nothing about the music business. Promote, Market and Sell your own songs or independent CDs with this knowledge. A hot book for aspiring songwriters, recording artists, solo instrumentalists, and bedroom music producers! Warning: If you already know everything about the independent music business, then this book isn’t for you. This book is available to all major book store chains, musical instrument stores and public libraries (U.S.A. and Canada) through Baker & Taylor Books! This book can be ordered online for $19 (Free Shipping) by visiting our website: www.FutureMix.biz



marketing your music with step-by-step guidance…

ArtistsHouseMusic asked:

W tym www.artistshousemusic.org wywiadu, George Howard z Uniwersytetu Loyola w Nowym Orleanie i kontynuuje studia ArtistsHouse "Music Business 101" w dyskusji, dlaczego o zawodowe , zaanga?owanie, na ?ywo jest niesamowite swoje absolutne, niezaprzeczalne, numer jeden klucz do uruchomienia udanej kariery w muzyce zrównowa?onego On tak?e, jak rozwija? ?e na ?ywo (to jest, jak da? sobie szans? suck) w sposób ?e nie zagrozi swój rozwój zawodowy, a …

Make Money Online On Autopilot

twotea22 asked:

Berl Senofsky praat over zijn beslissingen binnen de muziek en tot slot de interviewer speelt hij een oude radio-opname van hem … ergens in de muziek die u ziet ook Mikhaïl Bezverkhny en Eugene Moguilevsky (2 andere winnaars van de concurrentie)

marketing your music with step-by-step guidance…

David Hooper asked:


Let’s say you’ve got your attitude correct, the right skill set honed, and the right philosophy. Great! You’re on your way – somewhere. If you don’t have the right direction planned out, you’ll simply wander aimlessly.

You don’t attempt even the smallest of construction jobs without a plan, and yet many people work in a field they just happened to “fall in to” because someone suggested it, or a friend was doing it, or even worse—they didn’t have anything else to do.

Wandering through your career can be just as deadly as wandering through a desert without a compass and canteen—in both places, you can die a slow death of thirst and exhaustion.

You must know where you want to go in order to set a direction for your life and career. You’ve probably heard the adage, “No one plans to fail, but they do fail to plan.” So determine where it is that you want to go (i.e., what you want to do) and set a course for it.

I recommend doing something you love. Not something that you can tolerate or achieve a reasonable pension from after 30 years of work (do pensions even exist anymore?), but something you are truly passionate about.

If it’s music, think about how you are gifted in that area. Do you sing? Would your singing chip paint off a house? Do you have an ear for pitch and tune? Do you play an instrument? Consider the field of professional golf for a moment. Do you love to golf? Would you be willing to commit days, weeks, months, and years to bettering your game to the point when you could hit the pro-circuit?

Do you have a means to support yourself (and your family) while you work on your dream job? Would you be happy and content doing whatever you chose—for the rest of your days, if need be? These are all questions you should ask yourself as you try to set the direction for your life, and ultimately, for your success.

Now that you know where you want to go, you must plan and prepare for your destination. As you plan and prepare, it’s fair to expect that you will achieve that goal—expectations play a large role in success, no matter what the field. If you plan well and are committed to the work involved, then and only then, can you expect to achieve the desired results in your life



201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

Veronica Lane asked:


No matter who you are, from the get-go, music contract terms are negotiable. If you are just starting out in the music industry, it is all a bit overwhelming. But don’t worry, it is possible for a “newbie” to receive a fair music contract from a dependable label. 

The first thing you have to keep in mind is that in this industry everyone is looking out for themselves first. Even honest labels are going to try to negotiate for their best interests. Beware of the dishonest companies that do not keep the artist in mind at all in the music contract negotiation process. This is why your education and experience with music contracts is so crucial.

One common thing to look out for when discussing music contracts is when you are asked to sign a standard music contract. They may even try to tell you that this is just a formality and everyone signs this particular document. A red flag should pop up in your head, especially if you are told this is your chance of a lifetime. You and your career is unique and so should be your music contract.

No matter what, you should always ask questions if you have them. If you do this and the label suggest you are insinuating that they are not being upfront with you then they probably are not being upfront. It is your right to ask any question and if it puts your music contract deal in jeopardy then you should ponder why that is. The answer is that this is not an honest company and maybe you should look elsewhere. Don’t compromise your career just to sign with someone.

Let them see that you are not just a desperate artist ready to sign on any dotted line. Ask for time to read over the contract with a legal representative or trusted acquaintance. It is imperative that you understand every aspect of the music contract at hand.

You may consider hiring an entertainment lawyer but they are very expensive. If you are someone who can afford this then by all means go for it but most struggling artists cannot. This is o.k. You do not have to hire an attorney to look over your music contract. It is possible to do this on your own or with the help of a friend, manager or family member.

The goal here is to negotiate a fair music contract with a legitimate record label. If a company is honest and forthright then they will be willing to answer any question and explain every clause. Don’t just sign because you are desperate to be a signed artist. Sometimes a signed artist is just as bad off as a solo struggling musician when they have signed a bad deal! Be smart and good luck! 



201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

Watch my 2 minute video and learn one of the best kept secrets to succeeding in the indie music business!

By: indiemusiccoach

About the Author:

201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

IsiFx asked:

The Jacksons celebrate their 10 years in the music industry – 1979

201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget

Pakistan Business asked:


Stampede would not want to engage in a word game with Iron Markhor. For the time this collaboration lasted, we thank them.

For the future Stampede would want to make this very clear that Iron Markhor does not have the right to make a certain artist’s work its property. they should first consult Liscence of Artistic Freedom for that. A bunch of young boys who try to make heavy metal their domain should first of all go ahead and consult the dictionary for the very terms they build their so called philosphies on i-e Metal, Underground and above all Music…

Second, all decisions taken by Stampede focused on the support of the underground music and were taken in direct consultation with its partners and affiliates.

Stampede comes with a vision. A vision to bring forth the talent that awaist to see the light of the day. Soon Stampede would launch its record label (Stampede Records) to support the cause of the hidden talent. More is on its way including live shows, interviews and media support.

Iron Markhor can live in their cyber domain and keep on brooding over their ‘wannabe’ philosophies, while Stampede brings about the revolution.

Stampede stands for music and art undiscovered!!!

We wish Iron Markhor luck… but sadly even luck wont be able to help these wannabees!

plz have a look and tell me if stampede didnt gave them the credit

http://metalseinen.com/blog/archives/317

u can see that this is still on there site and there name on the artwork

and kindly see this what they have written and the images they used

http://metalseinen.com/blog/archives/419

we are trying to get rid of kids like these who dont know any thing and making false claims and we urge everone to please discourage them



marketing your music with step-by-step guidance…

Music Teacher asked:


Good music teaching resources and studio policies are indeed necessary as they intend to create a conducive and healthy learning environment. Music teachers must set good and strict business principles and classroom practices so as to eliminate confusion, inconsistency and misunderstanding among studio clients, students, parents as well as the entire teaching personnel.

Certainly, as you decide to put up your own music studio, your studio policies and resources must also be ready for posting and dissemination. Therefore, you have to devise, update and implement them consistently and reliably.

Studio Policy: Basics, Advantages and Benefits

A studio policy is a set of written rules and regulations that has to be strictly observed and implemented. Private music studio owners as well as music teachers must specify and define all points and items in the studio policy itself so as to have everything clearly explained and discussed. Studio policy also lessens the risks and circumstances where a problem or a conflict may likely arise.

Though some studio policies differ in concept and context, they must include citations on various areas like fees, payment schemes, work and class schedules, class requirements, lesson preparations, service arrangements and other relevant issues necessary in managing your own music studio.

Music Teaching Resources

As studio policy is made as specific as music teaching resources are, tips on how to make and construct such are certainly essential. Setting a good studio policy is as good as generating music teaching resources. Since these two have to be both up-to-date, concise, concrete and complete, music teachers must keep in mind that rigid research really plays a vital role in coming up with effective and efficient resources and policies in music teaching. Such research can be done in just few clicks – using the power of technology and innovation.

Using informational documents and tools, citing insights and experiences, writing studio policy, motivating social and classroom participation as well as giving tips and advices are all great teaching techniques in driving your way to academic success through music education.

These professional and business means: music teaching resources and studio policies are both important in meeting the goal of the institution. Therefore, you have to be sure that they are truly focused and relevant in teaching and learning music.

Stick to Your Music Teaching Resources and Studio Policies

Music teachers have to be consistent and prompt both in their teaching and managerial strategies. This is to establish reliability and credibility not just for their profession but also for their relationship among students and studio clients. As they stick to their rules, policies, resources and techniques, people around them would be used to those concepts and would be able to apply such in daily activities and endeavors.

Remember that your policies and resources in music education are as important and as beneficial as your motivation and willingness to disseminate and employ to the learners and the clients as well as to implement in their future dealings and ventures.

Still searching for more relevant music teaching resources and tips? Visit this music teachers website.

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201 Self-Promotion Tips For Songwriters, Musicians And Bands On A Budget